Sheng Tang Jing | Off-the-shoulder Embroidered Brocade Vest with Landscape Patterns – Ivory White

Size: S / M / L
Recommended weight: 85 to 95 pounds /85 to 95 pounds / 95 to 105 pounds / 105 to 115 pounds cm

Manual measurement, with an error of about 1-3 cm.

Product selling points:
1. The combination of the rayon-silk fabric and the faintly visible pavilion and tower jacquard pattern highlights a relaxed feel while exuding the elegance of “cultured refinement”.
2. The stand-up collar paired with the oblique front design not only adds a sense of layering but also accentuates the neck line.
3. The large-scale “rice soup yellow” accents on the “blue of the celestial realm” create a sweet and charming atmosphere at all times.

Material description:
The fabric is made of 50% mulberry silk and 50% rayon. Rayon has the characteristics of high strength, anti-wrinkle and wear resistance. Therefore, the rayon-silk fabric is more durable and less prone to deformation compared to pure mulberry silk fabric.

Color description:
“Blue of the celestial realm”, “rice soup yellow”
In Bai Juyi’s “Song of Everlasting Regret”, it is written: “I searched the heavens and the netherworld, but found nothing.” In ancient times, the color “blue of the celestial realm” was used to describe the first layer of the sky in the east, with the sky filled with blue clouds. Therefore, it was called “blue of the celestial realm”. The color “blue of the celestial realm” represents the ancient people’s imagination and understanding of the universe, symbolizing their yearning and reverence for the sky and nature.
“Rice soup yellow” is named so because it is as white as rice soup, with a slight yellowish tint. It is a traditional Chinese color that embodies the aesthetic characteristics of concreteness and imagery. The color is derived from daily life, yet it has an air of pride and charm. It makes one imagine that the person wearing this color has a unique wit and charm.

Pattern description:
Pavilion and tower pattern
Inspired by the landscape paintings of the Song Dynasty, with distant mountains and peaks and nearby flower and tree-lined paths, it is as if one is in a paradise. Pavilions and towers were an important part of ancient Chinese garden architecture, and their design and decoration often reflected the pursuit of nature, harmony and beauty in Chinese traditional culture. Using the pavilion and tower pattern in new Chinese-style clothing immediately brings one into the poetic scene of “I often remember the secluded pavilion in the garden, where I was so drunk that I didn’t know the way home.”